Review of: David Temperley, The Cognition of Basic Musical Structures Cambridge, MA: MIT Press, 2001, 404 pp. ISBN 0-262-20134-8.

3 Pairwise alignment

• R. Durbin, S. Eddy, A. Krogh, G. Mitchison: Biological sequence analysis. Cambridge University Press, 1998. ISBN 0-521-62971-3 (Chapter 2) • Neil C. Jones, Pavel A. Pevzner: An Introduction to Bioinformatics Algorithms. MIT Press, Cambridge, MA, 2004. ISBN 0-262-10106-8 • D. Gusfield: Algorithms on Trees, Strings, and Sequences. Computer Science and Computational Biology. Cambridge University...

David Meredith Review of Temperley ( 2001 ) 3

In The Cognition of Basic Musical Structures, David Temperley presents a computational theory of music cognition that is deeply influenced by Lerdahl and Jackendoff’s (1983) A Generative Theory of Tonal Music (henceforth, GTTM). Like Lerdahl and Jackendoff, Temperley attempts to explain the cognition of commonpractice music by means of a system that generates structural descriptions from musica...

Autonomous Robots: From Biological Inspiration to Implementation and Control by George A. Bekey, MIT Press, 560 pp, ISBN 0-262-02578-7

Tara H. Abraham, Rebel Genius: Warren S. McCulloch's Transdisciplinary Life in Science (Cambridge, MA: MIT Press, 2016), pp. 320, $40.00, hardback, ISBN: 9780262035095.

Cognitive Design Principles for Automated Generation of Visualizations

thought (pp. 79–111). Cambridge, MA: MIT Press. Tversky, B. (2003). Some ways graphics communicate. In K. Nyiri (Ed.), Mobile communication: Essays on cognition and community (pp. 143–156). Wien: Passagen Verlag. Tversky, B. (2005). Functional significance of visuospatial representations. In P. Shah & A. Miyake (Eds.), Handbook of higher-level visuospatial thinking (pp. 1–34). Cambridge, UK: Ca...